Anthony van Dyck, 1622 - Portrait of a Woman, Called the Marchesa Durazzo - fine art print
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Information about the article
The 17th century work of art Portrait of a Woman, Called the Marchesa Durazzo was created by the baroque master Anthony van Dyck in 1622. The original had the size 44 5/8 x 37 3/4 in (113,3 x 95,9 cm) and was painted with the medium oil on canvas. This work of art can be viewed in in the The Metropolitan Museum of Art's art collection. With courtesy of: The Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913 (public domain). : Bequest of Benjamin Altman, 1913. Further, the alignment of the digital reproduction is in portrait format with a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Anthony van Dyck was a translator, author, dramaturge, painter, theater director, etcher, whose art style can be classified as Baroque. The European artist lived for a total of 42 years, born in 1599 in Antwerp, Antwerpen province, Flanders, Belgium and deceased in the year 1641.
Obtain your preferred fine art print material
We offer a range of various sizes and materials for every product. In order match your personal requirements perfectly, you can choose among the following product customization options:
- Aluminium dibond (metal print): Aluminium Dibond prints are prints on metal with a true effect of depth. A direct Direct Print on Aluminum Dibond is your best start to the sophisticated world of art reproductions manufactured with aluminum.
- Glossy acrylic glass print: An print on acrylic glass, often labelled as a print on plexiglass, will transform the artwork into brilliant home décor. Your favorite artwork is being made with the help of state-of-the-art UV print machines. This makes vibrant, stunning color shades. With an acrylic glass art print contrasts and artwork details become more identifiable because of the very fine gradation in the picture. Our acrylic glass protects your chosen fine art print against light and external influences for several decades.
- The poster print on canvas material: Our poster print is a printed cotton canvas paper with a slightly roughened texture on the surface. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
- The canvas print: The canvas direct print is a printed canvas mounted on a wood stretcher. A canvas print has the advantage of being low in weight. This means, it is easy to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for all types of walls.
Important note: We try whatever we can in order to describe our art products as clearly as possible and to exhibit them visually in our shop. At the same time, some colors of the printing material, as well as the print result can vary marginally from the image on your monitor. Depending on your screen settings and the nature of the surface, not all colors are printed as realisitcally as the digital version. Since our fine art prints are processed and printed by hand, there might also be minor variations in the exact position and the size of the motif.
Product background info
Print categorization: | art print |
Method of reproduction: | digital reproduction |
Production technique: | UV print / digital printing |
Production: | made in Germany |
Stock type: | on demand production |
Intended product usage: | wall gallery, wall decoration |
Orientation: | portrait format |
Aspect ratio: | length to width 1 : 1.2 |
Meaning: | the length is 20% shorter than the width |
Available material choices: | acrylic glass print (with real glass coating), canvas print, poster print (canvas paper), metal print (aluminium dibond) |
Canvas on stretcher frame (canvas print) sizes: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylic glass print (with real glass coating) variants: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Poster print (canvas paper): | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminium dibond print (aluminium material) sizes: | 50x60cm - 20x24", 100x120cm - 39x47" |
Art print framing: | not included |
Details on the original piece of art
Piece of art title: | "Portrait of a Woman, Called the Marchesa Durazzo" |
Artwork categorization: | painting |
General category: | classic art |
Temporal classification: | 17th century |
Created in: | 1622 |
Artwork age: | around 390 years |
Original medium: | oil on canvas |
Size of the original artpiece: | 44 5/8 x 37 3/4 in (113,3 x 95,9 cm) |
Museum: | The Metropolitan Museum of Art |
Place of the museum: | New York City, New York, United States of America |
Museum website: | www.metmuseum.org |
License type of artwork: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913 |
Creditline: | Bequest of Benjamin Altman, 1913 |
The painter
Name: | Anthony van Dyck |
Aliases: | Anth. v. Dyck, Antonio Vandichi fiamengho, van dyck a., Dack, A. van Dijk, Vandeck, Antoine van Dyk, Ant. Vandyck, Dyck Antoon van, Anthonius van Dijck, van dyck sir anthony, Anthoni van Dyck, Antony van Dijck, Vandyck Anthony, Van Dych, Dyck Ant. van, Van Dyck Antoon, antoon van dyck, Van Deick, Anthony Vandycke, Vandyck Antonio, Antonio van Deyck, baldique, A. Van Dick, A. Vandyck. en Italie, Van Vandyck, Vau Dyke, Vandik Antonio, A. Dyck, Vandik, Antoni van Dyck, Antonio Vandicch, Van Dyk, Vandike, Anthonis van Dijck, Antonio von Dyk, v. Dyk, Anthonij van Dijck, Valdiq, Vandicca, A. Van Dyc, Van Dycke Anthony, Anton van Dijck, c., A.v. Dyk, A. V. Dyke, Wandyck, Sr. Ant. Van. Dych, dyck van, Van Dyc, Vandicco, Antoine Vandeik, A. v. Dyck, Van Daĭk Antonis, Antony van Dyck, Antoine Vandyck, bandic, After Vandyck, Wandik, Antt.o van Deyck, Ant Van Dick, Dyk, Van Dycke, Antoni v. Deick, Vandisco fiamengo, Wan Dyck, Anth. Vandyke, Vandeik Antoine, Antoin Vandyk, den Ridder van Dyk, Vandiq, Van-Deyck, Vandyck Anthony Sir, A. von Dyck, Vandyke, Dijck Anton van, Vandyk, An. Dyk, Vandick Fiammengo, Van. Dick, Dyck Sir Anthony van, van Deyck, Antoine Vandyk, van dycke sir anthony, Wandih, Vandique, Dyke, von Deick, Van Dyck Antoine, Deĭk Antoni van, V Dyck, bandio, Van Dyck Sir Anthony, jan van dyck, Van-Deĭk Antoni, Van. Dyck, A. Vandick, Ant. Van Dick, antonys van dyck, Anthonio van Dijk, Sir A. Vandyke, Antoine Vandich, An. van Dyck, Dyck Anthony van, Antonio Vandyck, Dyck Anthonie, Vandech, Anthony van Dyk, A Vandyke, Ant.v. Dyck, Dijck Anthonie, Vandyck, von Dyk, Anthon van Dyck, Badic, Sir A. Vandyck, Vand Duyke, Sir Anthony Vandyck, Vandyck Sir Ant., Dyck A. van, Van Dyck Anton, Vannic, comme de Van Dyck, Vandicche, Dyck Anton van, Vandique Anttonio, Vandycke, Ant. van Dyk, Dyck Antoine van, Vandyck Sir Ant. Flem., Vnaydke, Sir Antonio Van Dyck, A. von Deyk, Bandiq, Antoine Vandick, Van Dich Antonio, Dyck Anthony van Sir, Chev. Anton van Dyk, Vandych, van Dyijck, Vandeic, Sir Anthony van Dyck, Anth. van Dyck, anthonys van dyck, von Dyck, Dyk Anthonis van, A. Vandyk, A. Van Dyck, A. Van-Dick, Antonius van Dyck, dyck van, Van Dyck Anthonie, Vandyck Sir Anthony, Van Dich, Vannich, V. Dycke, Ant v. Dyk, Antoine Van-Dick, Vendeich, Vandino, Bandique, Anthonie Van Dyck, Van Dick Anthony, Vandeyc, V. Dyck, Anthony Vandyck, Antonio van Deyc, dyck van a., Dyck, V. Dyke, Van Dyck Antonio, דייק אנטוני ואן, Van Dyck, v. Dychs, Van Dick, Van Daik Anton, Van Dyke, Dyck Antonie van, Antoine Van-Dyck, Deick, Van Dyck School, sir a. van dyck, Antoni van Dyk, Ant. v. Dyck, Ant Van Dyck, Dyck Ant. van, Dijck Antoon, Antonio Vandik Fiammingo, Ant. Vandeick, Ant. Van-Dyck, Bandeique, Dyck Sir, Dyck Anthonie van, Van Dyck Anthony Sir, Dyck Anthonis van, Ant. van Dyks, van dyck a., anthonius van dyck, Antonii van Dyck, Vandyke Anthony, Anton von Dyck, Wandich, Valdique, Anthonie van Dyk, Antony van Dyk, A. Vandych, dyck anton van, Dijck Sir Anthony van, A. Van Dik, A. v. Dyk, Anthonis van Dyck, After Van Dyck, Van Dyck Antoon Sir, A.v. Dyck, Vandichi, Anton de Dück, Mandique, Antoine Van Dick, Dyck Antoon, Antonio Dyck, Vandeich, A. van Dycl, A Van Dyck, A. van-Dyck, Antonie van Dyck, A. Vandyck, Anthony Vandyke, A. Vaudick, Van Dyck Anthony, Anthony Van Dyck Sir, Ant. v. Dyk, Wandick, Anth. van Dyk, Anton van Dyck, Anton von Deyck, antonis van dyck, Vandick, Antonio Vandik, Vandycke Anthony, Vandicch Antonio, Van Dyk Anthony, Daĭk Antonis van, V Dyck, Chevaliér van Dyk, Vandych Antonio, Vandich, A. Vandik, vandic, Antoine Vandik, Anthony van Dyck, Vandick A., Dyck Antonis van, Vandiche, Van Dyck Anthonis, Antonio Vandych, von Deycks, Vandec, Wandik Antonio, Ant. Vandeyck, A. Vandyke, Anttonio Vandique, Dijk Anthony van, Sir Anthony Vandyke, Ant. Van Dyck, Ban Dycq, Wanclelfef, Van Dijk, Vandyck &, van Dyck Anton., Van-Dyck, Antoine van Dyck, Van diq, Vandich Antonio, Van-Dick, Vandeique, Antonio Wandik, Dyck Anthonis van, Anton van Dyk, Wan Dick, A. van Dyk, Vandaich, Ant. Vandick, Antonio van Dyck, Van Dijck, von Deyck, Antoine Wandick, Anthonius van Dyk, Vandyke Sir Anthony, Van-Dyk, Antonio van Dyk, Ant. von Dyck, Antonio Vandich, Anton Vandyk |
Gender: | male |
Nationality of artist: | Dutch |
Professions of the artist: | author, dramaturge, painter, etcher, theater director, translator |
Country: | the Netherlands |
Artist category: | old master |
Styles of the artist: | Baroque |
Age at death: | 42 years |
Born in the year: | 1599 |
City of birth: | Antwerp, Antwerpen province, Flanders, Belgium |
Year of death: | 1641 |
Deceased in (place): | London, Greater London, England, United Kingdom |
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General information as provided by the museum's website (© - The Metropolitan Museum of Art - www.metmuseum.org)
During the six years he spent in Italy (1621–27), Van Dyck was frequently in Genoa, where he painted some of his most magnificent portraits. This sitter is traditionally identified as a member of the patrician Durazzo family. Whereas many of his portraits recall those of his older colleague Rubens, who had also painted in Genoa, this one testifies to Van Dyck’s admiration of the work of the great Venetian painter Titian (ca. 1485/90?–1576). The portrait has suffered from abrasion and relining, flattening its painterly effects.