Hubert Robert, 1784 - The Mouth of a Cave - fine art print
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In the year 1784 the male French artist Hubert Robert painted this artwork. The original version measures the size - 68 3/4 x 31 1/4 in (174,6 x 79,4 cm). Oil on canvas was used by the painter as the technique for the painting. Today, this piece of art is included in the The Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This public domain piece of art is being supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917. Moreover, the artpiece has the following creditline: Gift of J. Pierpont Morgan, 1917. Besides, the alignment of the digital reproduction is portrait and has a side ratio of 1 : 2, which implies that the length is 50% shorter than the width. The curator, painter Hubert Robert was an artist, whose style can primarily be classified as Rococo. The painter was born in 1733 in Paris, Ile-de-France, France and deceased at the age of 75 in the year 1808 in Paris, Ile-de-France, France.
Which product material do you like most?
We offer a range of various sizes and materials for every product. Hence, we allow you to choose among the following options:
- The poster print (canvas material): Our poster is a printed canvas with a slightly rough surface finish. It is excellently designed for placing the art replica in a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the print to facilitate the framing with your custom frame.
- Printed acrylic glass (with real glass coating): The print on acrylic glass, often described as a plexiglass print, transforms the original into brilliant wall decoration and forms a distinct alternative to aluminium and canvas fine art replicas. The work of art is made thanks to the help of modern UV direct print machines. The great upside of a plexiglass fine art print is that sharp contrasts plus smaller image details will be identifiable due to the very fine gradation in the print. The acrylic glass protects your selected art print against sunlight and heat for decades.
- Aluminium print (aluminium dibond): An Aluminium Dibond print is a print with an impressive depth. For the Direct Aluminium Dibond print, we print your favorite artpiece right onto the surface of the white-primed aluminum composite. The colors are luminous, the details are very clear, and there’s a matte look you can literally feel.
- The canvas print: A UV printed canvas material stretched on a wooden stretcher frame. Canvas Prints have the great advantage of being low in weight, meaning that it is quite simple to hang your Canvas print without the support of extra wall-mounts. Canvas prints are suited for any kind of wall.
Disclaimer: We try the best we can to describe our art products as accurately as possible and to illustrate them visually. At the same time, the pigments of the printing material and the printing may vary marginally from the presentation on the monitor. Depending on the settings of your screen and the condition of the surface, not all colors will be printed as exactly as the digital version on this website. Because our art reproductions are printed and processed by hand, there may also be slight differences in the size and exact position of the motif.
Structured item information
Article categorization: | wall art |
Method of reproduction: | digital reproduction |
Manufaturing technique: | UV direct printing |
Production: | made in Germany |
Stock type: | on demand |
Intended product usage: | wall gallery, wall décor |
Orientation: | portrait format |
Side ratio: | (length : width) 1 : 2 |
Aspect ratio interpretation: | the length is 50% shorter than the width |
Available variants: | acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond), poster print (canvas paper) |
Canvas on stretcher frame (canvas print) size variants: | 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39" |
Acrylic glass print (with real glass coating) options: | 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39" |
Poster print (canvas paper) size variants: | 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39" |
Aluminium print (aluminium dibond material) variants: | 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39" |
Art print framing: | not available |
Details about the piece of art
Artpiece title: | "The Mouth of a Cave" |
Artwork categorization: | painting |
General term: | classic art |
Time: | 18th century |
Artpiece year: | 1784 |
Age of artwork: | over 230 years |
Artwork original medium: | oil on canvas |
Original size: | 68 3/4 x 31 1/4 in (174,6 x 79,4 cm) |
Exhibited in: | The Metropolitan Museum of Art |
Place of the museum: | New York City, New York, United States of America |
Available under: | The Metropolitan Museum of Art |
Artwork license: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917 |
Creditline of artwork: | Gift of J. Pierpont Morgan, 1917 |
The artist
Artist: | Hubert Robert |
Other names: | Robert des Ruines, Robarts Hubert, Robert Hubert des Ruines, Hubert Robert, Roberts Hubert, Robart Hubert, Robert Hubert |
Gender of the artist: | male |
Nationality: | French |
Jobs: | curator, painter |
Country: | France |
Classification: | old master |
Styles: | Rococo |
Died at the age of: | 75 years |
Birth year: | 1733 |
Born in (place): | Paris, Ile-de-France, France |
Died: | 1808 |
Died in (place): | Paris, Ile-de-France, France |
© Copyright - intellectual property of | Artprinta.com
(© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
From a set of six paintings made for the salle des bains of the comte d'Artois, Louis XVI's youngest brother, at the château de Bagatelle near Paris. Robert signed The Mouth of the Cave and dated it 1784 when he restored it from damage probably caused by dampness.