Marie Guillelmine Benoist, 1802 - Mrs. Philip Panon Desbassayns Richemont (Jeanne Mourgue Egle, 1778-1855) and Her Son, Eugene (1800-1859) - fine art print

Product background information

Mrs. Philip Panon Desbassayns Richemont (Jeanne Mourgue Egle, 1778-1855) and Her Son, Eugene (1800-1859) is a painting painted by Marie Guillelmine Benoist. The original of the work of art had the dimensions: 46 x 35 1/4 in (116,8 x 89,5 cm) and was manufactured with the techinque of oil on canvas. Today, this work of art forms part of the The Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Gift of Julia A. Berwind, 1953 (public domain). : Gift of Julia A. Berwind, 1953. Further, the alignment is portrait and has a side ratio of 3 : 4, meaning that the length is 25% shorter than the width.

Product materials which you can choose from:

We offer a range of different sizes and materials for every product. In order match your personal requirements perfectly, you can choose among the following product customization options:

• Print on glossy acrylic glass (with real glass coating): The acrylic glass print, often referred to as a print on plexiglass, transforms an original into lovely décor. Further, the acrylic print offers a great alternative option to aluminium or canvas fine art prints. Your work of art is being custom-made with state-of-the-art UV printing technology. With an acrylic glass fine art print contrasts plus color details become more recognizeable thanks to the very subtle tonal gradation. Our real glass coating protects your selected art replica against light and external influences for decades.
• Aluminium dibond print: Aluminium Dibond prints are metal prints with an outstanding effect of depth, which makes a fashionable impression by having a non-reflective surface. The Direct Print on Aluminum Dibond is your best start to art reproductions on aluminum. The white and bright parts of the original artwork shimmer with a silk gloss, however without glow. Colors are bright and luminous in the highest definition, details appear clear and crisp, and there’s a matte appearance that you can literally feel.
• Printed poster (canvas material): A poster print is a UV printed canvas with a slightly rough surface finish, which resembles the original artwork. It is ideally designed for putting your art copy using a custom-made frame. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
• Canvas: The canvas print, not to be mistaken with a painting on a canvas, is an image applied onto cotton canvas. A canvas of your favorite artpiece will let you turn your very own fine art print into a large size work of art like you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Canvas prints are suitable for any type of wall.

Legal note: We try in order to depict our products as closely as we can and to illustrate them visually. Nonetheless, the tone of the print products, as well as the printing may vary to a certain extent from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that all our fine art prints are processed and printed manually, there might as well be minor differences in the motif's exact position and the size.

About the item

Piece of art details

Artist information table

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Original artwork information by The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - www.metmuseum.org)

Jeanne Eglé Fulcrande Catherine Mourgue, called Égle, born in Montpellier in 1778, married Philippe Panon Desbassayns de Richemont (1774–1840) in 1799. Her husband enjoyed a successful administrative and diplomatic career under the Consulat, Empire, and Restoration.This double portrait, once attributed to Jacques Louis David, is now given to David's pupil Marie Guillelmine Benoist and is probably identifiable with a portrait she showed at the Salon of 1802.