Rembrandt van Rijn, 1650 - Hendrickje Stoffels (1626-1663) - fine art print

59,99 €

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Things you should know about the art replica of the painting titled Hendrickje Stoffels (1626-1663)

This classic art masterpiece Hendrickje Stoffels (1626-1663) was created by the Dutch painter Rembrandt van Rijn. The more than 370 year-old original measures the size: 30 7/8 x 27 1/8 in (78,4 x 68,9 cm) and was painted with the medium oil on canvas. Furthermore, this artwork is in the the The Metropolitan Museum of Art's digital collection. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Archer M. Huntington, in memory of his father, Collis Potter Huntington, 1926 (public domain). Creditline of the artwork: Gift of Archer M. Huntington, in memory of his father, Collis Potter Huntington, 1926. The alignment of the digital reproduction is portrait and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. The painter Rembrandt van Rijn was an artist, whose artistic style was primarily Baroque. The artist was born in 1606 in Leiden and deceased at the age of 63 in 1669.

Select the material of your choice

We offer a range of different sizes and materials for every product. We allow yout to choose among the following variants:

  • Acrylic glass print (with real glass coating): The acrylic glass print, often labelled as a plexiglass print, transforms your favorite original into great décor. The artwork is being made thanks to the help of state-of-the-art UV printing machines. It makes impressive and rich color hues. Our real glass coating protects your selected fine art print against sunlight and heat for decades.
  • Aluminium dibond print: Aluminium Dibond prints are metal prints with an impressive depth - for a modern look and non-reflective surface. The Aluminium Dibond Print is the excellent introduction to fine art replicas made on aluminum. Colors are bright and vivid, the details appear crisp and clear, and you can feel a matte appearance of the print. The print on Aluminum Dibond is one of the most popular entry-level products and is a sophisticated way to showcase fine art reproductions, since it draws attention on the whole artwork.
  • Canvas: A canvas print, which should not be confused with a real canvas painting, is a digital image applied onto canvas material. A canvas generates the unique impression of three-dimensionality. Besides, canvas generates a lovely and pleasing impression. A canvas of your favorite masterpiece will allow you to transform your fine art print into a large artwork as you would see in a true gallery. Hanging your canvas print: A canvas print has the advantage of being low in weight, which means that it is easy and straightforward to hang the Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.
  • Printed poster (canvas material): The poster is a printed flat canvas with a slightly roughened surface finish. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the print motif in order to facilitate the framing.

Legal note: We try all that we can in order to depict our art products with as many details as possible and to illustrate them visually. At the same time, the colors of the printed materials, as well as the printing may diverge to a certain extent from the representation on the screen. Depending on your screen settings and the quality of the surface, colors might not be printed one hundret percent realistically. Bearing in mind that all fine art prints are printed and processed by hand, there may also be minor deviations in the motif's exact position and the size.

Structured product details

Product classification: fine art print
Reproduction: digital reproduction
Manufaturing technique: UV direct print (digital printing)
Product Origin: manufactured in Germany
Type of stock: on demand
Product use: home décor, wall decoration
Orientation: portrait alignment
Image aspect ratio: 1 : 1.2
Implication: the length is 20% shorter than the width
Available product materials: metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print
Canvas print (canvas on stretcher frame) variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper): 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium dibond print (aluminium material) options: 50x60cm - 20x24", 100x120cm - 39x47"
Frame: not included

Structured artwork information

Painting name: "Hendrickje Stoffels (1626-1663)"
Classification of the artwork: painting
General category: classic art
Artwork century: 17th century
Year: 1650
Age of artwork: more than 370 years old
Original medium: oil on canvas
Size of the original artpiece: 30 7/8 x 27 1/8 in (78,4 x 68,9 cm)
Museum / location: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Available at: The Metropolitan Museum of Art
License type: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Gift of Archer M. Huntington, in memory of his father, Collis Potter Huntington, 1926
Creditline: Gift of Archer M. Huntington, in memory of his father, Collis Potter Huntington, 1926

The painter

Artist name: Rembrandt van Rijn
Gender of the artist: male
Artist nationality: Dutch
Professions: painter
Country of origin: the Netherlands
Artist category: old master
Styles of the artist: Baroque
Life span: 63 years
Birth year: 1606
Birthplace: Leiden
Died: 1669
Place of death: Amsterdam

© Copyright of - Artprinta (www.artprinta.com)

Original information about the work of art from The Metropolitan Museum of Art website (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Hendrickje Stoffels, the daughter of a soldier, worked as Rembrandt’s housekeeper, eventually becoming his common-law wife and mother of his daughter, Cornelia. While no formal portraits of Stoffels survive, she is believed to have modeled for a number of Rembrandt’s paintings, including this work, perhaps intended as a generic image of a courtesan. The figure’s intimate gesture of holding her robe closed with one hand echoes the close observations Rembrandt made of the women in his household in many surviving drawings.

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