Bernhard Keil, 1665 - The Lacemaker - fine art print
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Original artwork specifications by The Metropolitan Museum of Art (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
After training in his native Denmark, Bernhard Keil worked in Rembrandt’s studio and then, in 1651, left Holland for Italy, where he eventually settled in Rome. This painting belongs to this last period in the artist’s career and shows more affinity with Italian painting than with the Dutch art of his youth. Although this appears to be a straight-forward portrayal of a girl occupied by her knitting and lacemaking, many of Keil’s genre scenes had double meanings. Scholars have suggested that this painting belonged to a series of the five senses, and that the girl, focusing on her labor before the watchful gaze of the cat, may represent the sense of sight.
The work of art "The Lacemaker" was made by Bernhard Keil in 1665. The 350 year-old version of the piece of art measures the size: 28 1/4 x 38 1/4 in (71,8 x 97,2 cm) and was painted with the medium oil on canvas. The work of art is part of the digital collection of The Metropolitan Museum of Art, which is located in New York City, New York, United States of America. We are pleased to mention that the public domain piece of art is provided with courtesy of The Metropolitan Museum of Art, New York, Bequest of Edward Fowles, 1971. The creditline of the artwork is: Bequest of Edward Fowles, 1971. Moreover, alignment of the digital reproduction is in landscape format and has a ratio of 4 : 3, which implies that the length is 33% longer than the width. Bernhard Keil was a painter, whose artistic style can be attributed primarily to Baroque. The Danish painter was born in the year 1624 in Helsingor, Hovedstaden, Denmark and passed away at the age of 63 in the year 1687 in Rome, Roma province, Lazio, Italy.
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For every art print we offer a range of different materials & sizes. The following sizes and materials are the options we offer you for individualization:
- Poster (canvas material): Our poster print is a UV printed flat canvas with a fine surface finish, which reminds the original version of the artwork. Please keep in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the artwork in order to facilitate the framing.
- The acrylic glass print: A glossy print on acrylic glass, which is often labelled as a UV print on plexiglass, transforms the original work of art into beautiful décor. Your favorite work of art is printed with the help of modern UV printing technology. Our real glass coating protects your selected art replica against sunlight and external influences for many years to come.
- Canvas print: The canvas print, which should not be confused with a painting on a canvas, is an image applied onto canvas. A canvas has the plastic look of three-dimensionality. Canvas Prints have the advantage of being low in weight, meaning that it is quite simple to hang your Canvas print without any wall-mounts. Therefore, canvas prints are suitable for all kinds of walls.
- Metal print (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding depth. A direct Aluminium Dibond Print is your ideal start to fine art replicas with aluminum. The bright & white sections of the work of art shimmer with a silky gloss but without any glare. This direct print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase fine art reproductions, because it puts 100% of the viewer’s focus on the replica of the artwork.
General background information on the artist
|Name of the artist:||Bernhard Keil|
|Alias names:||Bernhard Keilhau, Keilhau Eberhard, Kailo Monsu Bernardo, Keyl Bernhard, Monsù Bernardo, Keylhau Bernhard, Kail Bernhard, Keil Bernhard, Monsu Bernardo Scolaro di Tiziano, Keil Bernhardt, Keil Bernardi, Monsù Bernardo Danese, Keylhau Eberhardt, Monsù Bernardo Danese di Roma, mons.r Bernardo di Danimarca, Degelhoff Eberhardt, Bernardo di Danimarca, Keilhau Bernhard, Keyl Monsu Bernardo, Kail Eberhardt, Keil Eberhard, Monsieur Bernardo, Monsu
|Gender of the artist:||male|
|Professions of the artist:||painter|
|Classification of the artist:||old master|
|Hometown:||Helsingor, Hovedstaden, Denmark|
|Year of death:||1687|
|Died in (place):||Rome, Roma province, Lazio, Italy|
Structured information on the artpiece
|Title of the painting:||"The Lacemaker"|
|Generic term:||classic art|
|Approximate age of artwork:||350 years old|
|Artwork original medium:||oil on canvas|
|Original size:||28 1/4 x 38 1/4 in (71,8 x 97,2 cm)|
|Museum / collection:||The Metropolitan Museum of Art|
|Museum location:||New York City, New York, United States of America|
|Museum website:||The Metropolitan Museum of Art|
|License type:||public domain|
|Courtesy of:||The Metropolitan Museum of Art, New York, Bequest of Edward Fowles, 1971|
|Creditline:||Bequest of Edward Fowles, 1971|
|Product classification:||art reproduction|
|Reproduction:||reproduction in digital format|
|Production technique:||UV direct printing (digital print)|
|Origin of the product:||Germany|
|Type of stock:||production on demand|
|Proposed product use:||home décor, art print gallery|
|Orientation of the image:||landscape format|
|Aspect ratio:||(length : width) 4 : 3|
|Aspect ratio meaning:||the length is 33% longer than the width|
|Materials you can choose:||acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print, poster print (canvas paper)|
|Canvas on stretcher frame (canvas print) variants:||40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"|
|Acrylic glass print (with real glass coating) size options:||40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"|
|Poster print (canvas paper) size options:||40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"|
|Dibond print (alumnium material) variants:||40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"|
|Art print framing:||not included|
Important information: We try our best to depict the art products as exact as possible and to demonstrate them visually. Please bear in mind that the pigments of the print materials, as well as the imprint can vary slightly from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments will be printed 100% realistically. Since all art prints are processed and printed by hand, there might also be slight variations in the motif's exact position and the size.
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