Charles Joseph Natoire, 1740 - The Rebuke of Adam and Eve - fine art print

49,99 €

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Additional specifications by the museum's website (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Natoire was trained in the studio of François Le Moyne (1688–1737). He won the Prix de Rome and studied in Italy. This picture must have been intended by the younger artist as a tribute to his teacher. It is a pendant to a painting by Le Moyne depicting Adam receiving the forbidden fruit from Eve in the Garden of Eden (private collection). Natoire shared with Le Moyne a predilection for the nude, here depicting with care the rosy and sensual body of the disappointed Eve, a tear glistening on her cheek.

Art product background information

The Rebuke of Adam and Eve was created by Charles Joseph Natoire in 1740. The beyond 280 year old original had the following exact dimensions: 26 3/4 x 19 3/4 in (67,9 x 50,2 cm) and was painted with the techinque of oil on copper. This artpiece forms part of the digital collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Purchase, Mr. and Mrs. Frank E. Richardson III, George T. Delacorte Jr., and Mr. and Mrs. Henry J. Heinz II Gifts; Victor Wilbour Memorial, Marquand, and The Alfred N. Punnett Endowment Funds; and The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest, 1987 (public domain). : Purchase, Mr. and Mrs. Frank E. Richardson III, George T. Delacorte Jr., and Mr. and Mrs. Henry J. Heinz II Gifts; Victor Wilbour Memorial, Marquand, and The Alfred N. Punnett Endowment Funds; and The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest, 1987. Moreover, alignment is portrait with a side ratio of 3 : 4, which means that the length is 25% shorter than the width.

Available product material choices

We offer a range of different materials and sizes for every product. In order match your personal requirements perfectly, you can choose among the following product customization options:

  • Acrylic glass print (with real glass coating): An print on acrylic glass, often referred to as a UV print on plexiglass, will convert the original work of art into home décor.
  • Poster (canvas material): The Artprinta poster print is a UV printed flat canvas paper with a nice texture on the surface. A poster print is excellently suited for framing the art copy using a personal frame. Please note, that depending on the size of the canvas poster print we add a white margin between 2-6 cm round about the print motif to facilitate the framing.
  • Aluminium dibond print: Aluminium Dibond prints are prints on metal with a true depth effect - for a modern impression and non-reflective surface. For the Print On Aluminum Dibond, we print the selected artpiece onto the surface of the aluminum. The colors are luminous and bright in the highest definition, fine details are crisp and clear, and the print has a a matte appearance that you can literally feel.
  • The canvas print: A canvas print is a printed canvas stretched on a wood stretcher. A canvas of your favorite work of art will give you the opportunity of turning your art print into a large work of art as you would see in a gallery. Canvas prints are relatively low in weight, which means that it is easy to hang the Canvas print without any wall-mounts. A canvas print is suited for any kind of wall.

Artist summary table

Artist: Charles Joseph Natoire
Gender: male
Artist nationality: French
Jobs: painter
Country of the artist: France
Classification of the artist: old master
Died at the age of: 77 years
Birth year: 1700
Died: 1777

Structured artwork details

Artpiece title: "The Rebuke of Adam and Eve"
Classification: painting
Category: classic art
Time: 18th century
Artwork year: 1740
Artwork age: more than 280 years old
Original medium of artwork: oil on copper
Artwork original size: 26 3/4 x 19 3/4 in (67,9 x 50,2 cm)
Exhibited in: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Web URL: The Metropolitan Museum of Art
License of artwork: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Purchase, Mr. and Mrs. Frank E. Richardson III, George T. Delacorte Jr., and Mr. and Mrs. Henry J. Heinz II Gifts; Victor Wilbour Memorial, Marquand, and The Alfred N. Punnett Endowment Funds; and The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest, 1987
Artwork creditline: Purchase, Mr. and Mrs. Frank E. Richardson III, George T. Delacorte Jr., and Mr. and Mrs. Henry J. Heinz II Gifts; Victor Wilbour Memorial, Marquand, and The Alfred N. Punnett Endowment Funds; and The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest, 1987

Structured product details

Article classification: fine art print
Reproduction: digital reproduction
Production technique: UV direct print
Production: produced in Germany
Stock type: on demand
Intended usage: home décor, art reproduction gallery
Orientation: portrait format
Aspect ratio: 3 : 4 length to width
Aspect ratio interpretation: the length is 25% shorter than the width
Fabric choices: poster print (canvas paper), acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond)
Canvas on stretcher frame (canvas print): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (with real glass coating) sizes: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Poster print (canvas paper) size variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminium dibond print variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Framing of the art copy: without frame

Legal disclaimer: We try our utmost to describe the art products as closely as possible and to showcase them visually in our shop. At the same time, the tone of the printing material, as well as the printing might differ marginally from the representation on the screen. Depending on your settings of your screen and the nature of the surface, not all colors will be printed one hundret percent realistically. Considering that all our art prints are printed and processed manually, there might also be minor variations in the exact position and the size of the motif.

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