Elisabeth Louise Vigée Le Brun, 1787 - The Marquise de Pezay, and the Marquise de Rougé with Her - fine art print
Tax included. Shipping calculated at checkout.
Select your item material option
We offer a range of different materials and sizes for every product. Hence, we allow you to choose among the following options:
- Aluminium dibond print: These are metal prints on aluminium dibond with an impressive effect of depth - for a modern impression and a non-reflective surface. The Direct Print on Aluminum Dibond is your best start to art prints produced on aluminum. The bright and white parts of the artpiece shine with a silk gloss but without the glare.
- The poster print (canvas material): Our poster is a printed cotton canvas paper with a slightly rough surface structure. A printed poster is ideally suited for placing the art copy with a custom-made frame. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2 - 6cm around the print to facilitate the framing with a custom frame.
- The canvas print: A UV printed canvas material stretched on a wood frame. Your printed canvas of this artpiece will let you turn your art print into a large work of art. Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without the support of any wall-mounts. Therefore, a canvas print is suited for any kind of wall.
- Acrylic glass print (with real glass coating): An print on acrylic glass, which is often referenced as a print on plexiglass, will turn the original artwork into brilliant home decoration and forms a viable alternative option to canvas or dibond prints. The major upside of a plexiglass art print is that contrasts plus artwork details become recognizeable because of the very subtle gradation. The plexiglass with real glass coating protects your chosen art replica against light and external influences for many decades.
Legal note: We try our utmost in order to depict our products as precisely as possible and to exhibit them visually on the respective product detail pages. At the same time, the colors of the print materials and the print result might differ marginally from the representation on the device's monitor. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed one hundret percent realistically. Because all the art reproductions are printed and processed by hand, there may also be slight variations in the motif's exact position and the size.
General specifications as provided by National Gallery of Art (© Copyright - National Gallery of Art - National Gallery of Art)
Madame Vigée Le Brun was part of the world she painted and, like her aristocratic patrons, was under threat of the guillotine after the revolution. She was forced to flee Paris in disguise in 1789. She had been first painter to Queen Marie–Antoinette and her personal confidant. The queen had intervened to ensure her election to the Royal Academy of Painting and Sculpture, an honor accorded few women.
More than two–thirds of Vigée Le Brun's surviving paintings are portraits. Most, like this one, are of women and children who are idealized —flattered—into a kind of family resemblance. These unrelated young women, for example, could easily be mistaken for sisters. Their garments, airy silks and iridescent taffetas, are almost more individual than their faces, although both women were friends of the artist. The picture was hailed as a tribute to friendship and maternal love when it was shown at the Salon of 1787.
What kind of art product do we present?
The artwork was made by the artist Elisabeth Louise Vigée Le Brun in 1787. The artwork had the size 123,4 x 155,9 cm (48 9/16 x 61 3/8 in). Oil on canvas was applied by the French painter as the technique for the painting. Furthermore, the work of art is included in the digital collection of National Gallery of Art located in Washington D.C., United States of America. We are glad to mention that this artwork, which is part of the public domain is supplied with courtesy of National Gallery of Art, Washington.: . The alignment of the digital reproduction is landscape and has an aspect ratio of 1.2 : 1, meaning that the length is 20% longer than the width.
Structured details of the artwork
|Artwork title:||"The Marquise de Pezay, and the Marquise de Rougé with Her"|
|General term:||classic art|
|Artwork age:||around 230 years old|
|Artwork original medium:||oil on canvas|
|Size of the original artwork:||123,4 x 155,9 cm (48 9/16 x 61 3/8 in)|
|Museum / location:||National Gallery of Art|
|Location of museum:||Washington D.C., United States of America|
|Museum's webpage:||National Gallery of Art|
|Courtesy of:||National Gallery of Art, Washington|
About this article
|Article classification:||wall art|
|Reproduction method:||digital reproduction|
|Production method:||UV direct printing (digital print)|
|Production:||produced in Germany|
|Type of stock:||on demand production|
|Product use:||wall gallery, wall art|
|Aspect ratio:||length : width - 1.2 : 1|
|Meaning:||the length is 20% longer than the width|
|Fabric variants:||acrylic glass print (with real glass coating), metal print (aluminium dibond), poster print (canvas paper), canvas print|
|Canvas print (canvas on stretcher frame) sizes:||60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"|
|Acrylic glass print (with real glass coating) variants:||60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"|
|Poster print (canvas paper) sizes:||60x50cm - 24x20", 120x100cm - 47x39"|
|Aluminium dibond print:||60x50cm - 24x20", 120x100cm - 47x39"|
|Framing of the artprint:||no frame|
Artist summary table
|Name of the artist:||Elisabeth Louise Vigée Le Brun|
|Country of origin:||France|
|Year of birth:||1755|
This text is copyrighted © - Artprinta.com (Artprinta)