Francisco de Goya, 1786 - Maria Ana de Pontejos y Sandoval, Marchioness of Pontejos - fine art print
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General product specs
In 1786 the painter Francisco de Goya painted this romanticist piece of art. The artpiece forms part of the collection of National Gallery of Art. This classic art public domain artwork is included with courtesy of National Gallery of Art, Washington.: . Further, the alignment of the digital reproduction is portrait and has a ratio of 9 : 16, which means that the length is 45% shorter than the width. The engraver, painter, etcher, printmaker, lithographer Francisco de Goya was a European artist from Spain, whose artistic style can be classified as Romanticism. The Romanticist painter was born in 1746 in Fuendetodos, Zaragoza province, Aragon, Spain and passed away at the age of 82 in 1828 in Bordeaux, Nouvelle-Aquitaine, France.
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The product dropdown menu provides you with the chance to pick your individual material and size. The following options are available for individualization:
- Canvas print: A UV printed canvas stretched on a wooden frame. Canvas prints are relatively low in weight. This means, it is easy to hang your Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls.
- Acrylic glass print (with real glass coating): The acrylic glass print, often referenced as a print on plexiglass, will change your favorite original into beautiful home decoration. The major upside of an acrylic glass art print is that sharp contrasts and smaller color details will be more visible with the help of the granular tonal gradation in the print.
- Aluminium dibond print (metal): An Aluminium Dibond print is a print with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is your perfect introduction to fine art prints produced on alu. For your Aluminium Dibond option, we print your chosen work of art right onto the surface of the aluminum. The white and bright components of the artwork shine with a silk gloss, however without glow. The colors of the print are luminous and bright in the highest definition, fine details appear crisp and clear, and you can perceive a matte appearance of the art print surface. The direct print on Aluminum Dibond is one of the most popular entry-level products and is a modern way to showcase art prints, since it puts the viewer’s attention on the image.
- The poster print (canvas material): A poster print is a printed flat canvas paper with a fine surface structure. The poster print is excellently designed for framing the art replica in a custom frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm around the work of art to facilitate the framing with your custom frame.
Legal disclaimer: We try to depict our products as accurate as possible and to exhibit them visually. However, the pigments of the print products and the imprint might diverge marginally from the representation on your device's screen. Depending on the settings of your screen and the nature of the surface, colors can unfortunately not be printed as realisitcally as the digital version depicted here. Bearing in mind that all the fine art prints are printed and processed manually, there might as well be slight differences in the exact position and the size of the motif.
Structured product information
|Print product type:||art reproduction|
|Manufaturing technique:||UV print / digital printing|
|Manufacturing:||produced in Germany|
|Stock type:||on demand production|
|Intended product use:||home décor, art print gallery|
|Artwork orientation:||portrait format|
|Aspect ratio:||length : width - 9 : 16|
|Implication of image aspect ratio:||the length is 45% shorter than the width|
|Available product materials:||metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating), poster print (canvas paper)|
|Canvas on stretcher frame (canvas print) sizes:||50x90cm - 20x35"|
|Acrylic glass print (with real glass coating) sizes:||50x90cm - 20x35"|
|Poster print (canvas paper):||50x90cm - 20x35"|
|Dibond print (alumnium material) sizes:||50x90cm - 20x35"|
|Art print framing:||no frame|
Work of art specs
|Work of art title:||"Maria Ana de Pontejos y Sandoval, Marchioness of Pontejos"|
|Created in the year:||1786|
|Approximate age of artwork:||over 230 years old|
|Museum / location:||National Gallery of Art|
|Location of museum:||Washington D.C., United States of America|
|Website of the museum:||National Gallery of Art|
|License type:||public domain|
|Courtesy of:||National Gallery of Art, Washington|
About the artist
|Artist name:||Francisco de Goya|
|Aliases:||Goya y Lucientes José de, Goya Francisco Jose de, Francisco Jose de Goya y Luzientes, j. de goya, Goya y Lucientes Francisco de, Goja Francisko, goya francesco, Goya Francisco de, de goya y lucientes francisco jose, Francisco de Goya, Goya y Lucientes, fr. j. de goya y lucientes, Goya Francisco, Don Francesco Goya, F. Goya, Francisco Jose de Goya y Lucientes, Ko-ya, Gova y Lucientes Francisco de, f. j. de goya, fr. goya, Goya y Lucientes Francisco Paula José, Lucientes José de Goya y, Goya Francisco Jose y Lucientes de, Francisco de Goya y Lucientes, גויה אי לוסיינטס פרנסיסקו חוסה דה, Francisco Goya Y Lucientes, fr. jose de goya, Goiia Fransisko Khose de, j. f. de goya y lucientes, Goya y Lucientes Francisco José de, Francesco Goya, Goya, franc. jose de goya y lucientes, goya f. de, goya francesco jose, Goya y Lucientes Francisco, Francisco José Goya, Francisco Goya, francisco jose de goya, goya f., francisco j. goya, Goiia-i-Lusientes Fransisko, goya francisco jose, De Goya Francisco, Goia Fransisko Khose de, Paula José Goya y Lucientes Francisco de, Goya y Lucientes Francisco de Paula|
|Nationality of artist:||Spanish|
|Jobs:||painter, engraver, etcher, printmaker, lithographer|
|Classification of the artist:||old master|
|Age at death:||82 years|
|Born in (place):||Fuendetodos, Zaragoza province, Aragon, Spain|
|Died in the year:||1828|
|Place of death:||Bordeaux, Nouvelle-Aquitaine, France|
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General description as provided by the museum (© - National Gallery of Art - www.nga.gov)
Trees, grass, and shrubbery, simplified almost to abstraction, set off the fragile, wasp–waisted figure of María Ana de Pontejos y Sandoval, the Marquesa de Pontejos. Splendidly attired, she typifies those ladies of the Spanish aristocracy who affected the "shepherdess" style of Marie Antoinette, so popular in pre–revolutionary France.
The 18th century's sentimental fondness for nature, influenced by the writings of Jean–Jacques Rousseau, is alluded to in the parklike setting, the roses arranged around the bodice of the gown and tucked into the folds of the voluminous overskirt, and in the carnation that the marquesa holds with self–conscious elegance. Framing her artfully arranged coiffure, the broad–brimmed picture hat again bespeaks high fashion, perhaps imported from England; such hats were often seen in contemporary portraits by Gainsborough and other British painters. While the painting's pale tones reflect the last stages of the rococo in Spanish art, the overall silvery gray–green tonality is equally reminiscent of the earlier Spanish master, Velázquez, whose paintings Goya had studied and copied.
Goya probably painted this portrait on the occasion of the marquesa's first marriage, to Francisco de Monino y Redondo, brother of the all–powerful Count of Floridablanca, another of Goya's noble patrons.
Source: National Gallery of Art