Frederick Goodall, 1851 - The Grace, fromIllustrated London News - fine art print

59,99 €

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Description by The Metropolitan Museum of Art (© - The Metropolitan Museum of Art -

As a family gathers to eat in a humble room, a grandfather blesses the food next to his wife, as a younger woman holds a baby in her lap, and two children sit quietly in the foregound. Thomas's wood engraving reproduces a painting by Frederick Goodall, the second son of the skilled line engraver Edward Goodall. As a child, Frederick and his siblings had been encouraged to pursue art by John Ruskin, Clarkson Stanfield, David Roberts, and J.M.W. Turner. At sixteen, Goodall showed four commissioned watercolors at the Royal Academy, then won a silver medal at the Society of Arts for an oil painting. This early success allowed visits to Brittany and Ireland, and led him to depict rustic village subjects influenced by David Wilkie. In 1852, Goodall was elected an Associate of the Royal Academy. An extended trip to Egypt in 1858 set his subsequent career on a different course.

Detailed print product infos

This more than 160 years old piece of art was painted by the British artist Frederick Goodall in 1851. The 160 year-old version of the artpiece was made with the size: Image: 6 3/4 × 8 15/16 in (17,2 × 22,7 cm) Sheet: 7 1/4 × 9 3/16 in (18,4 × 23,4 cm) and was painted with the technique of wood engraving. Moveover, this work of art belongs to the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Gift of Donato Esposito, 2015 (license - public domain). : Gift of Donato Esposito, 2015. Further, the alignment of the digital reproduction is in landscape format and has a side ratio of 1.2 : 1, which implies that the length is 20% longer than the width.

Choose your favorite fine art print material

In the product dropdown selection you can select your individual size and material. The following options are available for individualization:

  • Printed poster (canvas material): The poster print is a printed flat canvas paper with a slight surface finish. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the artwork to facilitate the framing with your custom frame.
  • Acrylic glass print (with real glass coating): A glossy print on acrylic glass, often described as a an art print on plexiglass, changes the original work of art into wonderful wall décor. The great advantage of an acrylic glass fine art copy is that sharp contrasts and smaller image details become identifiable due to the subtle gradation.
  • The canvas print: A UV printed canvas stretched on a wooden frame. A printed canvas of this artwork will allow you to transform your personal into a large size work of art. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang the Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls.
  • Metal print (aluminium dibond): Aluminium Dibond prints are prints on metal with an outstanding effect of depth. For our Direct Print On Aluminum Dibond, we print your artpiece right onto the surface of the white-primed aluminum composite. The white & bright sections of the artpiece shimmer with a silky gloss but without any glow. Colors are luminous and bright in the highest definition, the details of the print are crisp and clear, and there’s a matte appearance that you can literally feel.

Artist summary

Artist: Frederick Goodall
Aliases: Goodall, Frederick Goodall, גודאל פרדריק, Goodall Frederick, Goodall F.
Gender: male
Nationality: British
Jobs: painter
Country: the United Kingdom
Artist classification: modern artist
Lifespan: 82 years
Year of birth: 1822
City of birth: London, Greater London, England, United Kingdom
Year died: 1904
Place of death: London, Greater London, England, United Kingdom

Piece of art details

Work of art name: "The Grace, fromIllustrated London News"
Artwork categorization: painting
Umbrella term: modern art
Century: 19th century
Artpiece year: 1851
Approximate age of artwork: more than 160 years
Medium of original artwork: wood engraving
Dimensions of the original artwork: Image: 6 3/4 × 8 15/16 in (17,2 × 22,7 cm) Sheet: 7 1/4 × 9 3/16 in (18,4 × 23,4 cm)
Exhibited in: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Available at: The Metropolitan Museum of Art
Artwork license type: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Gift of Donato Esposito, 2015
Creditline of artwork: Gift of Donato Esposito, 2015

The product

Print prodct: art reproduction
Method of reproduction: reproduction in digital format
Manufaturing technique: UV direct printing (digital print)
Origin of the product: manufactured in Germany
Type of stock: on demand
Intended product usage: home design, wall décor
Orientation: landscape alignment
Aspect ratio: 1.2 : 1
Side ratio interpretation: the length is 20% longer than the width
Available product materials: metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print, poster print (canvas paper)
Canvas print (canvas on stretcher frame) options: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Acrylic glass print (with real glass coating) sizes: 60x50cm - 24x20", 120x100cm - 47x39"
Poster print (canvas paper) options: 60x50cm - 24x20", 120x100cm - 47x39"
Aluminium dibond print variants: 60x50cm - 24x20", 120x100cm - 47x39"
Art print framing: not included

Legal disclaimer: We try everythig possible in order to depict the products with as many details as possible and to showcase them visually in our shop. Please bear in mind that the pigments of the print products and the print result may vary marginally from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed as exactly as the digital version. Bearing in mind that all art reproductions are printed and processed manually, there might as well be slight discrepancies in the motif's exact position and the size.

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