Gustave Courbet, 1857 - Hunting Dogs with Dead Hare - fine art print
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Art product specifications
In 1857 Gustave Courbet painted the piece of art. The masterpiece has the following size: 36 1/2 x 58 1/2 in (92,7 x 148,6 cm) and was painted on the medium oil on canvas. Today, this piece of art is included in the The Metropolitan Museum of Art's digital art collection located in New York City, New York, United States of America. With courtesy of: The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1933 (licensed: public domain). Moreover, the work of art has the following creditline: H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1933. The alignment of the digital reproduction is in landscape format and has a ratio of 3 : 2, which implies that the length is 50% longer than the width. The painter, sculptor, communard Gustave Courbet was an artist from France, whose style was mainly Realism. The French artist was born in 1819 in Ornans, Bourgogne-Franche-Comte, France and deceased at the age of 58 in 1877.
Which is your favorite fine art print material?
The product dropdown menu provides you with the opportunity to select the size and materialaccording to your individual preferences. Choose among the following product options now to match your preferences in size and material:
- Printed acrylic glass: The acrylic glass print, often described as a plexiglass print, will turn the original into gorgeous décor. The artwork is custom-made with the help of state-of-the-art UV print technology. The special effect of this are intense, stunning colors.
- Canvas: The printed canvas, which should not be confused with an artwork painted on a canvas, is a digital copy printed onto canvas material. A canvas print has the advantage of being relatively low in weight. That means, it is easy and straightforward to hang up your Canvas print without additional wall-mounts. A canvas print is suited for all kinds of walls.
- Aluminium dibond print: These are metal prints on aluminium dibond with an outstanding effect of depth. For the Direct Aluminium Dibond print, we print the chosen artwork on the aluminium white-primed surface. The bright & white parts of the artpiece shine with a silk gloss but without glow.
- Poster (canvas material): The poster print is a printed cotton canvas paper with a granular finish on the surface. The poster is qualified for framing the art print using a custom-made frame. Please note, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the painting, which facilitates the framing with your custom frame.
Legal disclaimer: We try all that we can to depict our products in as much detail as possible and to demonstrate them visually on the different product detail pages. At the same time, the pigments of the printing material and the print result might diverge to a certain extent from the image on the screen. Depending on the screen settings and the condition of the surface, colors might not be printed one hundret percent realistically. In view of the fact that our are printed and processed by hand, there may also be slight differences in the motif's exact position and the size.
|Product classification:||art print|
|Reproduction method:||digital reproduction|
|Production method:||digital printing|
|Manufacturing:||manufactured in Germany|
|Stock type:||production on demand|
|Intended usage:||gallery wall, wall picture|
|Orientation of the image:||landscape format|
|Image aspect ratio:||3 : 2|
|Image aspect ratio meaning:||the length is 50% longer than the width|
|Materials you can choose from:||metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print|
|Canvas print (canvas on stretcher frame):||30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"|
|Acrylic glass print (with real glass coating) size options:||30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"|
|Poster print (canvas paper) options:||60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"|
|Aluminium dibond print variants:||30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"|
Piece of art information
|Title of the work of art:||"Hunting Dogs with Dead Hare"|
|Generic term:||modern art|
|Artwork century:||19th century|
|Created in the year:||1857|
|Age of artwork:||over 160 years old|
|Painted on:||oil on canvas|
|Original size (artwork):||36 1/2 x 58 1/2 in (92,7 x 148,6 cm)|
|Museum:||The Metropolitan Museum of Art|
|Museum location:||New York City, New York, United States of America|
|Museum's website:||The Metropolitan Museum of Art|
|License type:||public domain|
|Courtesy of:||The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1933|
|Creditline:||H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1933|
Artist details table
|Artist name:||Gustave Courbet|
|Other names:||courbet gustave, courbet g., courbert, gustav courbet, courbet gustav, Gust. Courbet, Courbet Jean-Desire-Gustave, G. Courbet, Kurbe Gi︠u︡stav, Courbet, Courbet Jean Desire Gustave, Courbet G., קורבה גוסטב, Courbet Gustave, Gustave Courbet|
|Gender of the artist:||male|
|Jobs:||painter, sculptor, communard|
|Artist classification:||modern artist|
|Died aged:||58 years|
|Born in (place):||Ornans, Bourgogne-Franche-Comte, France|
|Died in (place):||La Tour-de-Peilz, Vaud, Switzerland|
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Artwork specifications by The Metropolitan Museum of Art (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
This picture dates to the same year that Courbet debuted his hunting scenes at the Paris Salon of 1857. It invites comparison to the slightly earlier The Quarry (Museum of Fine Arts, Boston) which includes the same pair of hunting dogs, accompanied by a dead stag instead of a hare. The present work was apparently described by the German painter Otto Scholderer (1834–1902), whose studio was above the one Courbet rented in Frankfurt in the winter of 1858–59. Scholderer noted that Courbet painted the dogs and the landscape from memory but modelled the hare from life.