Henry Inman, 1833 - No-Tin (Wind), a Chippewa Chief - fine art print
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(© - Los Angeles County Museum of Art - www.lacma.org)
Henry Inman’s portrait of No-Tin illuminates the integral place of American Indians in the nation’s history and art history. Painted after a lost original by Charles Bird King, Inman’s portrait of No-Tin is an early and defining example of American artists’ efforts, pre-photography, to depict Native Americans for national posterity. The portrait is also a testament to a critical moment in the history of Native Americans. Because Inman’s portrait survives, we know that No-Tin, which means Wind, was a Chippewa chief who came with his tribe’s delegation to Washington DC in the mid-1820s. Nothing is known of No-Tin’s own experiences during that visit, but he was one of scores of tribal leaders invited to the capitol by the U.S. government for negotiations, tours, and an audience with the President. The Chiefs would stay for several weeks, even months, for meetings and to experience Anglo American culture, all part of a federal diplomatic effort to pave the way for Indian removal and westward expansion. This mission was cultivated most influentially by Thomas L. McKenney, head of the Bureau of Indian Affairs, a division of the U.S. Department of War. McKenney had also made it his mission to collect and preserve Native American materials for a national collection. But it was the Indian delegations that inspired McKenney to add portraits to his collection and create a national Indian Gallery. In 1822, he commissioned King, a Washington DC portraitist, to capture their faces. The project was an attempt to produce visual documents that might represent and preserve the power he knew these Chiefs would soon lose. Read more
Your individual fine art copy
This 19th century artpiece was painted by the male American painter Henry Inman in 1833. Besides, the artwork is included in the Los Angeles County Museum of Art's art collection. The modern art masterpiece, which is in the public domain is provided with courtesy of Los Angeles County Museum of Art (www.lacma.org).Also, the artwork has the creditline: . In addition to that, the alignment is portrait and has a side ratio of 3 : 4, which means that the length is 25% shorter than the width.
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The product dropdown menu ofers you the possibility to choose a material and a sizeaccording to your individual preferences. The following options are available for individualization:
- Aluminium dibond print (metal): An Aluminium Dibond print is a print with an outstanding effect of depth. For our Direct Aluminium Dibond print, we print the favorite work of art on the aluminium surface. Colors are luminous in the highest definition, the details are crisp. The direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely stylish way to display artworks, because it draws focus on the whole artwork.
- The poster print (canvas material): A poster print is a printed cotton canvas with a slight finish on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the print motif, which facilitates the framing.
- Glossy acrylic glass print: A glossy print on acrylic glass, which is sometimes named as a print on plexiglass, will turn the original work of art into brilliant wall decoration. With a glossy acrylic glass fine art print sharp contrasts and granular artwork details will be more recognizeable with the help of the fine tonal gradation of the print. Our acrylic glass protects your custom fine art print against sunlight and external influences for many decades.
- The canvas print: A canvas direct print is a printed cotton canvas mounted on a wood frame. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without additional wall-mounts. A canvas print is suited for all types of walls.
|Name of the artist:||Henry Inman|
|Alternative names:||Inmann Henry, Henry Inman, Inman Henry, Inman|
|Nationality of artist:||American|
|Artist classification:||modern artist|
|Age at death:||45 years|
|Year of birth:||1801|
Structured table of the work of art
|Title of the artwork:||"No-Tin (Wind), a Chippewa Chief"|
|Art categorization:||modern art|
|Artwork age:||more than 180 years|
|Museum:||Los Angeles County Museum of Art|
|Place of the museum:||Los Angeles, California, United States of America|
|Available under:||Los Angeles County Museum of Art|
|Artwork license type:||public domain|
|Courtesy of:||Los Angeles County Museum of Art (www.lacma.org)|
About this article
|Product type:||wall art|
|Production process:||UV direct printing (digital print)|
|Stock type:||on demand production|
|Intended product use:||wall decoration, wall art|
|Alignment of the image:||portrait alignment|
|Aspect ratio:||3 : 4 - (length : width)|
|Interpretation:||the length is 25% shorter than the width|
|Available product materials:||poster print (canvas paper), metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating)|
|Canvas on stretcher frame (canvas print) size variants:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
|Acrylic glass print (with real glass coating) variants:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
|Poster print (canvas paper):||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
|Aluminium dibond print (aluminium material) variants:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
Disclaimer: We try what we can to describe the art products as clearly as possible and to demonstrate them visually in our shop. Although, some tone of the printed materials and the imprint might diverge marginally from the presentation on your monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed 100% realistically. Bearing in mind that our art reproductions are printed and processed by hand, there may also be slight deviations in the motif's size and exact position.
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