Henry Ossawa Tanner, 1918 - Daniel in the LionsDen - fine art print
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- Poster on canvas material: A poster print is a UV printed sheet of flat canvas with a slightly rough surface structure. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the artwork, which facilitates the framing with your custom frame.
- Aluminium dibond print (metal): These are metal prints on aluminium dibond with an impressive effect of depth. Its non-reflective surface creates a contemporary impression. A direct Direct Print on Aluminum Dibond is the excellent introduction to fine art prints manufactured on aluminum. For your Print On Aluminum Dibond, we print the selected artpiece on the surface of the aluminum material. Colors are vivid and luminous in the highest definition, fine details of the print appear very clear, and the print has a a matte appearance that you can literally feel.
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- Acrylic glass print: The print on acrylic glass, often labelled as a an art print on plexiglass, changes the artwork into wonderful wall decoration and forms a distinct alternative option to canvas and aluminidum dibond prints. With an acrylic glass art print contrasts and also smaller details become identifiable because of the subtle tonal gradation in the print.
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Supplemental information by Los Angeles County Museum of Art (© - by Los Angeles County Museum of Art - Los Angeles County Museum of Art)
Tanner first achieved recognition at the Paris Salon of 1896 with his painting Daniel in the Lions’ Den. Although the museum’s painting of the same title has been often mistaken for the painting shown in the 1896 Salon, it is a similar, but later version. In both paintings Tanner delineated an Old Testament story set during the reign of King Darius in ancient Persia (Dan. 6:16-24). Tanner infused the drama of Daniel’s unjust imprisonment with a quiet spirituality. The earlier canvas was Tanner’s first major religious painting and indicated the direction that his art would take. The choice of a religious subject may have been inspired initially by his teacher Laurens, who was noted for dramatic biblical paintings. Tanner’s depiction of a dark prison cell, dramatically lit by evening light streaming through a high window, may have also come from Laurens, whose Le Grand Inquisiteur chez les rois catholiques, 1886 (Philadelphia Museum of Art) -- a painting also about an unjust imprisonment -- is similar in composition and lighting. It is probably not coincidental that Tanner owned a reproduction of the Laurens painting and kept it throughout his career (it is among the Tanner Papers). Read more (Curator Notes)
What type of product do we offer here?
The over 100 year old painting was made by Henry Ossawa Tanner. The beyond 100 years old original was painted with the size: 41 1/8 × 49 15/16 in (104,46 × 126,84 cm). Oil on paper mounted on canvas was used by the artist as the technique for the painting. Today, this artwork can be viewed in in the Los Angeles County Museum of Art's collection, which is the largest art museum in the western United States, with a collection of more than 142.000 objects that illuminate 6.000 years of artistic expression across the globe. We are pleased to reference that the public domain artwork is provided with courtesy of Los Angeles County Museum of Art (www.lacma.org).Additionally, the artwork has the creditline: . Furthermore, alignment is in landscape format with an image ratio of 1.2 : 1, which means that the length is 20% longer than the width.
Structured table of the artpiece
|Artwork name:||"Daniel in the LionsDen"|
|Art classification:||modern art|
|Artwork century:||20th century|
|Approximate age of artwork:||more than 100 years|
|Artwork original medium:||oil on paper mounted on canvas|
|Original artwork dimensions:||41 1/8 × 49 15/16 in (104,46 × 126,84 cm)|
|Museum / collection:||Los Angeles County Museum of Art|
|Place of museum:||Los Angeles, California, United States of America|
|Artwork license type:||public domain|
|Courtesy of:||Los Angeles County Museum of Art (www.lacma.org)|
Structured article details
|Product type:||fine art print|
|Method of reproduction:||digital reproduction|
|Manufaturing technique:||digital printing (UV direct print)|
|Type of stock:||on demand production|
|Proposed product use:||art print gallery, wall art|
|Alignment of the image:||landscape format|
|Image ratio:||length to width 1.2 : 1|
|Implication of the image ratio:||the length is 20% longer than the width|
|Available product materials:||metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print|
|Canvas print (canvas on stretcher frame):||60x50cm - 24x20", 120x100cm - 47x39"|
|Acrylic glass print (with real glass coating) size variants:||60x50cm - 24x20", 120x100cm - 47x39"|
|Poster print (canvas paper) options:||60x50cm - 24x20", 120x100cm - 47x39"|
|Aluminium print variants:||60x50cm - 24x20", 120x100cm - 47x39"|
Contextual artist information
|Name of the artist:||Henry Ossawa Tanner|
|Alternative names:||Tanner Henry Owassa, Henry Owassa Tanner, Tanner Henri, Henry Ossawa Tanner, Tanner Henry Ossawa, Tanner, Tanner Henri Ossawa|
|Professions of the artist:||university teacher, painter|
|Born in the year:||1859|
|Birthplace:||Pittsburgh, Allegheny county, Pennsylvania, United States|
|Died in (place):||Paris, Ile-de-France, France|
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