John Frederick Peto, 1900 - HSP's Rack Picture - fine art print
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Materials our customers can choose from
In the product dropdown menu you can choose the material and sizeaccording to your preferences. You can choose among the following product customization options:
- Acrylic glass print (with real glass coating on top): The acrylic glass print, often referenced as a an art print on plexiglass, will convert your selected original into brilliant décor. The artwork is made with the help of state-of-the-art UV printing machines. This creates impressive and vivid color hues. With an acrylic glass fine art print contrasts plus small artwork details will be more exposed with the help of the delicate gradation.
- Aluminium dibond print: Aluminium Dibond prints are metal prints with an impressive effect of depth, which creates a fashionable impression throuch a non-reflective surface structure. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is a sophisticated way to display art prints, since it puts the viewer’s attention on the artwork.
- Canvas: A printed canvas material mounted on a wood stretcher frame. Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang up your Canvas print without the support of extra wall-mounts. Hence, canvas prints are suited for all types of walls.
- Poster on canvas material: Our poster print is a printed canvas with a slightly roughened texture on the surface, which reminds the actual version of the masterpiece. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm around the painting in order to facilitate the framing.
Legal disclaimer: We try the best we can to describe the art products as precisely as possible and to illustrate them visually on the respective product detail pages. Please keep in mind that the colors of the print products, as well as the imprint can vary slightly from the image on the screen. Depending on your settings of your screen and the nature of the surface, not all colors are printed one hundret percent realistically. Bearing in mind that our art reproductions are printed and processed manually, there may also be slight variations in the exact position and the size of the motif.
What does the original artwork description of the Los Angeles County Museum of Art say about the 20th century artwork made by John Frederick Peto? (© - by Los Angeles County Museum of Art - Los Angeles County Museum of Art)
John Frederick Peto (1854-1907) was born and raised in Philadelphia. He espoused a highly realistic style of painting that reflected the period's rationalism and concern for materiality, an aesthetic in opposition to the freer and individualistic handling of paint of the contemporaneous impressionists. In the late 1870s, Peto entered the Pennsylvania Academy of the Fine Arts, where he became friends with William Harnett, recently returned to the academy after several years in New York City. It was about this time that Harnett began exhibiting his mature illusionistic still lifes. Although most still life painters aim to be convincingly realistic, Harnett went beyond mere imitation, often to the point of deception. These still lifes made Harnett’s fame and spawned a virtual movement of followers. Peto considered Harnett his "ideal of perfection in still life painting," and as Harnett, specialized in still lifes, both table-top compositions and trompe l’oeil ("deceives the eye"). Yet Peto was no mere imitator. Unlike many of his contemporaries, Peto did not consider the visual trickery and illusion so often associated with works of trompe l’oeil as the sole aim of his art. In Harnett’s paintings, objects were depicted so realistically that many people actually had to touch the canvas before they were convinced that the objects they were seeing were painted, not "real." Peto, however, was more concerned with the manner in which light could affect an object rather than with the precise rendering of that object, and his canvases have a softer, less hard-edged style. Read more (Curator Notes)
The modern art painting was created by the male American painter John Frederick Peto in 1900. Furthermore, this artpiece is included in the Los Angeles County Museum of Art's digital art collection, which is the largest art museum in the western United States, with a collection of more than 142.000 objects that illuminate 6.000 years of artistic expression across the globe. This public domain artpiece is included with courtesy of Los Angeles County Museum of Art (www.lacma.org).In addition to that, the work of art has the creditline: . In addition to that, the alignment of the digital reproduction is in portrait format with a side ratio of 3 : 4, which implies that the length is 25% shorter than the width. The painter John Frederick Peto was an artist from United States, whose artistic style can mainly be classified as Realism. The painter was born in 1854 in Philadelphia, Philadelphia county, Pennsylvania, United States and died at the age of 53 in the year 1907 in New York City, New York state, United States.
|Name of the artpiece:||"HSP's Rack Picture"|
|Categorization of the artpiece:||painting|
|General term:||modern art|
|Artwork age:||120 years old|
|Artwork original medium:||oil on canvas|
|Museum:||Los Angeles County Museum of Art|
|Museum location:||Los Angeles, California, United States of America|
|Website of the museum:||www.lacma.org|
|License type of artwork:||public domain|
|Courtesy of:||Los Angeles County Museum of Art (www.lacma.org)|
The product specs
|Product type:||art copy|
|Method of reproduction:||digital reproduction|
|Production process:||digital printing|
|Product Origin:||manufactured in Germany|
|Stock type:||production on demand|
|Intended product use:||art print gallery, wall art|
|Image ratio:||(length : width) 3 : 4|
|Side ratio interpretation:||the length is 25% shorter than the width|
|Available variants:||poster print (canvas paper), canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating)|
|Canvas print (canvas on stretcher frame) variants:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
|Acrylic glass print (with real glass coating):||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
|Poster print (canvas paper):||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
|Aluminium dibond print size options:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
|Picture frame:||no frame|
|Name:||John Frederick Peto|
|Alternative names:||john f. peto, Peto John F., John Frederick Peto, Peto John Frederick, Peto|
|Gender of the artist:||male|
|Professions of the artist:||painter|
|Home country:||United States|
|Place of birth:||Philadelphia, Philadelphia county, Pennsylvania, United States|
|Died in (place):||New York City, New York state, United States|
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