John Hoppner, 1799 - Portrait of Mrs. Thomas Pechell (Charlotte Clavering, died 1841) - fine art print

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Article details

Portrait of Mrs. Thomas Pechell (Charlotte Clavering, died 1841) was made by the romanticist British painter John Hoppner. The original was made with the size - 30 x 25 in (76,2 x 63,5 cm). Oil on canvas was applied by the European artist as the medium of the artpiece. Nowadays, this work of art belongs to the digital collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The public domain artwork is included with courtesy of The Metropolitan Museum of Art, New York, Bequest of Helen Swift Neilson, 1945. Besides, the artwork has the following creditline: Bequest of Helen Swift Neilson, 1945. The alignment is portrait and has a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. John Hoppner was a painter from the United Kingdom, whose style can primarily be assigned to Romanticism. The European painter lived for 52 years - born in 1758 in London, Greater London, England, United Kingdom and deceased in the year 1810.

Choose your desired art print material variant

In the dropdown selection right next to the product offering you can select a material and a sizeaccording to your preferences. You can choose among the following product customization options:

  • Canvas: A canvas print, not to be confused with a canvas painting, is a digital copy printed on a cotton canvas. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang your Canvas print without the help of extra wall-mounts. Canvas prints are suitable for any kind of wall.
  • Printed poster on canvas material: The Artprinta poster is a printed flat canvas paper with a slightly roughened structure on the surface, that reminds the actual version of the work of art. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the print in order to facilitate the framing with your custom frame.
  • Acrylic glass print (with real glass coating): A glossy acrylic glass print, often referenced as a plexiglass print, makes an original artwork into great wall décor. In addition, it is a viable alternative option to canvas or dibond art prints. Your artwork is printed with the help of modern UV print technology. This makes vibrant and deep print colors. The major benefit of an acrylic glass fine art print is that contrasts and color details become more identifiable thanks to the delicate gradation in the picture.
  • Metal (aluminium dibond print): This is a metal print made on aluminium dibond with an impressive depth effect - for a modern look and a non-reflective surface. The colors are luminous in the highest definition, the details are very clear.

Important information: We try in order to describe our products as closely as it is possible and to illustrate them visually on the respective product detail pages. At the same time, the pigments of the print products, as well as the printing may vary to a certain extent from the representation on your device's monitor. Depending on the settings of your screen and the condition of the surface, not all colors are printed as exactly as the digital version depicted here. Because all the art reproductions are processed and printed by hand, there might as well be slight variations in the exact position and the size of the motif.

The product

Article classification: art copy
Method of reproduction: reproduction in digital format
Manufacturing process: digital printing
Origin of the product: made in Germany
Stock type: on demand production
Product usage: wall art, wall picture
Orientation: portrait alignment
Image aspect ratio: 1 : 1.2
Implication: the length is 20% shorter than the width
Materials you can choose from: metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating), canvas print
Canvas on stretcher frame (canvas print) sizes: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating): 50x60cm - 20x24", 100x120cm - 39x47"
Poster print (canvas paper) options: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium dibond print (aluminium material) sizes: 50x60cm - 20x24", 100x120cm - 39x47"
Picture frame: not included

Structured information on the artwork

Title of the work of art: "Portrait of Mrs. Thomas Pechell (Charlotte Clavering, died 1841)"
Artwork categorization: painting
Umbrella term: classic art
Artwork century: 18th century
Created in the year: 1799
Artwork age: more than 220 years
Painted on: oil on canvas
Artwork original size: 30 x 25 in (76,2 x 63,5 cm)
Museum / location: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Website of the museum:
Artwork license: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Bequest of Helen Swift Neilson, 1945
Creditline of artwork: Bequest of Helen Swift Neilson, 1945

Artist overview

Name of the artist: John Hoppner
Additional names: J Hoppner RA, Hoppner John, Hoppner R. A., hoppner john, hoppner jns, Hoppner, J. Hoppner, John Hoppner R. A., Hopner, Hoppner R.A., j. hoppner R. A., John Hoppner, John Hoppner Esq. R. A., SIR JOHN HOPPNER, Hopner John, hoppner j.
Gender: male
Nationality: British
Professions: painter
Country of the artist: the United Kingdom
Classification: old master
Art styles: Romanticism
Died aged: 52 years
Born: 1758
Born in (place): London, Greater London, England, United Kingdom
Year of death: 1810
Town of death: London, Greater London, England, United Kingdom

© Copyright of | (Artprinta)

Artwork specifications by the museum (© Copyright - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Charlotte, second daughter of Lieutenant General Sir John Clavering, married Sir Thomas Brooke-Pechell (1753–1826) in 1785. An inscription on the portrait's reverse records that it was painted in 1799. The pendant portrait of her husband is also in the Museum's collection.

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