Juan Patricio Morlete Ruiz, 1760 - From Spaniard and Return Backwards, Hold Yourself - fine art print
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Details of this item
In 1760 the Mexican artist Juan Patricio Morlete Ruiz made the classic art painting. The over 260 years old original creation has the size: 39 1/2 × 47 1/2 in (100,33 × 120,65 cm). Oil on canvas was applied by the artist as the medium of the painting. This piece of art belongs to the digital art collection of Los Angeles County Museum of Art. With courtesy of - Los Angeles County Museum of Art (www.lacma.org) (public domain license).: . On top of that, alignment of the digital reproduction is landscape with an aspect ratio of 1.2 : 1, which implies that the length is 20% longer than the width.
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For every product we offer different materials and sizes. Choose among the following product options now to match your preferences in size and material:
- Poster print (canvas material): A poster print is a printed canvas with a slight surface texture. The poster print is optimally qualified for placing your fine art print in a custom frame. Please note, that depending on the size of the poster print we add a white margin between 2-6cm around the work of art to facilitate the framing with your custom frame.
- Acrylic glass print: An print on acrylic glass, which is sometimes denoted as a an art print on plexiglass, will transform the original work of art into wonderful wall decoration. The plexiglass protects your selected art print against sunlight and external influences for several decades.
- Canvas print: The canvas direct print is a printed canvas mounted on a wood stretcher. A canvas produces the special effect of three-dimensionality. In addition to that, a canvas makes a familiar, pleasing effect. Your printed canvas of your favorite work of art will allow you to transform your personal into a large work of art as you would see in a real gallery. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang the Canvas print without the support of extra wall-mounts. Therefore, a canvas print is suited for any type of wall.
- Aluminium dibond: Aluminium Dibond prints are prints on metal with an impressive depth effect. The white & bright components of the artpiece shine with a silky gloss, however without the glow. The colors of the print are luminous and bright in the highest definition, the fine details of the print appear crisp.
Legal disclaimer: We try everythig possible to describe our art products as accurately as possible and to display them visually. Nonetheless, the pigments of the print products and the printing may differ to a certain extent from the image on the monitor. Depending on the settings of your screen and the nature of the surface, color pigments may not be printed as exactly as the digital version on this website. Considering that all are printed and processed by hand, there may as well be minor discrepancies in the motif's size and exact position.
The product details
|Article classification:||art reproduction|
|Method of reproduction:||reproduction in digital format|
|Manufacturing method:||UV direct printing|
|Product Origin:||manufactured in Germany|
|Stock type:||on demand|
|Product usage:||wall gallery, home design|
|Image aspect ratio:||1.2 : 1 - length : width|
|Side ratio implication:||the length is 20% longer than the width|
|Available variants:||canvas print, acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond)|
|Canvas on stretcher frame (canvas print) options:||60x50cm - 24x20", 120x100cm - 47x39"|
|Acrylic glass print (with real glass coating) variants:||60x50cm - 24x20", 120x100cm - 47x39"|
|Poster print (canvas paper) variants:||60x50cm - 24x20", 120x100cm - 47x39"|
|Aluminium print size variants:||60x50cm - 24x20", 120x100cm - 47x39"|
|Picture frame:||unframed reproduction|
Background data on the unique artwork
|Title of the painting:||"From Spaniard and Return Backwards, Hold Yourself"|
|General term:||classic art|
|Temporal classification:||18th century|
|Created in the year:||1760|
|Artwork age:||260 years old|
|Original medium of artwork:||oil on canvas|
|Size of the original work of art:||39 1/2 × 47 1/2 in (100,33 × 120,65 cm)|
|Exhibited in:||Los Angeles County Museum of Art|
|Location of the museum:||Los Angeles, California, United States of America|
|Museum's web page:||Los Angeles County Museum of Art|
|License type:||public domain|
|Courtesy of:||Los Angeles County Museum of Art (www.lacma.org)|
About the artist
|Artist name:||Juan Patricio Morlete Ruiz|
|Other names:||Juan Patricio Morlete Ruiz, Morlete Ruiz Juan Patricio, Ruiz Juan Patricio Morlete|
|Nationality of artist:||Mexican|
|Professions of the artist:||painter|
|Died aged:||65 years|
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Original information about the work of art from the museum (© - Los Angeles County Museum of Art - www.lacma.org)
Notes from the Curator: These three works belong to a set of casta paintings by Juan Patricio Morlete Ruiz that originally had sixteen scenes (over time many sets have been disassembled). Each scene depicts a family group with parents of different races and one of their children. During the colonial period Indians, Spaniards born in Spain as well as the New World (the latter known as Creoles), and Africans brought over as slaves all populated Mexico. The result was that a large percentage of the population became mixed, known collectively as castas (or "castes" in English), from where the pictorial genre derives its name.
Casta paintings were largely produced for a European audience to classify and create order out of an increasingly mixed society. This is especially important because in Europe there existed the widespread idea that all the inhabitants of the Americas (regardless of race) were degraded hybrids, which called into question the purity of blood of Spaniards and their ability to rule the colony's subjects. Casta painting responded to this anxiety by constructing a view of an orderly society bound by love (hence the use of the familial metaphor), but one that was hierarchically arranged and that featured Spaniards at the top.
Morlete Ruiz situates the mixed couples in elaborate landscape settings and pays careful attention to the figures' clothing and attributes. For example, some Spanish men hold a sword—a privilege that in colonial legislation was only reserved for this group—while some women sport a manga, a cape that resembles an inverted skirt fit from the head, worn exclusively by women of African descent (it was adapted from a similar garment worn by Moorish women in Spain).
In addition to presenting a typology of human races, occupations, and dress, casta paintings picture the New World as a land of boundless natural wonder through precise renderings of native products, flora, and fauna. Morlete Ruiz's works include an assortment of local fruits such as avocados and prickly pears (tunas). Products like these underscored the colonists' pride in the diversity and prosperity of the colony, and at the same time they fulfilled Europe's curiosity about the "exoticism" of the New World. In addition, they reflect the popularity of classificatory theories introduced by the Enlightenment and the interest in natural history.
Ilona Katzew, 2011
Notes from the Contributor: Painting by Juan Patricio Morlete Ruiz (Museum: Los Angeles County Museum of Art)