Moretto da Brescia, 1520 - Portrait of a Man - fine art print

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What specifically does the curator team of the The Metropolitan Museum of Art write about the artwork painted by Moretto da Brescia? (© Copyright - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Moretto’s portrait asserts an active engagement with the viewer through the parapet decorated with a carpet and hourglass (an emblem of the passage of time and thus of mortality) as well as through the sitter’s pose and glance. Moretto knew the portraits of Titian, but also those of another Venetian artist, Lorenzo Lotto, whose work was directly inspired by the example of Dürer. The suggestion of a vibrant, living presence is a unifying goal of sixteenth-century portraiture north and south of the Alps. Brescia, situated in the foothills of the Alps, was a locus of this enriching dialogue.

Structured information on the piece of art

Name of the artwork: "Portrait of a Man"
Artwork categorization: painting
Generic term: classic art
Century: 16th century
Created: 1520
Age of artwork: around 500 years
Painted on: oil on canvas
Original artwork dimensions: 34 1/4 x 32 in (87 x 81,3 cm)
Exhibited in: The Metropolitan Museum of Art
Place of the museum: New York City, New York, United States of America
Website of the museum: The Metropolitan Museum of Art
License type of artwork: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Rogers Fund, 1928
Creditline: Rogers Fund, 1928

Artist information

Name of the artist: Moretto da Brescia
Gender of the artist: male
Artist nationality: Italian
Professions of the artist: painter
Country of the artist: Italy
Artist classification: old master
Styles: Mannerism
Died aged: 62 years
Year of birth: 1492
Died in the year: 1554

Structured item details

Print product type: fine art reproduction
Method of reproduction: reproduction in digital format
Manufacturing process: UV direct print
Origin of the product: made in Germany
Type of stock: production on demand
Intended product use: wall art, art print gallery
Orientation of the artwork: square alignment
Aspect ratio: 1 : 1 length : width
Aspect ratio implication: the length is equal to the width
Available material variants: metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating), canvas print
Canvas print (canvas on stretcher frame) size variants: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
Acrylic glass print (with real glass coating): 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
Poster print (canvas paper) size options: 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Aluminium print sizes: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Frame: please note that this art copy has no frame

Product materials our customers can choose

For every product we offer different sizes and materials. In order match your personal requirements perfectly, you can choose among the following product customization options:

  • Printed poster on canvas material: The Artprinta poster is a printed flat canvas paper with a slightly roughened finish on the surface. The print poster is ideally appropriate for placing the art print with the help of a personal frame. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the painting, which facilitates the framing.
  • Canvas print: The UV printed canvas material mounted on a wood frame. It produces a special look of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang the Canvas print without additional wall-mounts. Hence, canvas prints are suited for all types of walls.
  • Metal (aluminium dibond print): Aluminium Dibond prints are metal prints with an outstanding effect of depth. The non-reflective surface make a fashionable look. For your Direct Aluminium Dibond option, we print the artwork right onto the aluminium surface.
  • Acrylic glass print: The print on acrylic glass, often named a print on plexiglass, transforms the original artwork into décor. Additionally, it makes a good alternative to aluminium and canvas fine art replicas. Your artwork is being made with the help of state-of-the-art UV print machines. The image effect of this are vibrant, sharp colors. With an acrylic glass art print contrasts as well as minor painting details will be more visible thanks to the delicate gradation of the print.

Summary

The over 500 years old painting was made by the male Italian painter Moretto da Brescia in 1520. The beyond 500 year old original was painted with the size: 34 1/4 x 32 in (87 x 81,3 cm). Oil on canvas was used by the Italian painter as the medium of the artwork. The artpiece is in the the The Metropolitan Museum of Art's art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The classic art public domain artpiece is being included with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1928. : Rogers Fund, 1928. Besides this, the alignment of the digital reproduction is in square format with a ratio of 1 : 1, meaning that the length is equal to the width. The painter Moretto da Brescia was an artist, whose style was primarily Mannerism. The artist was born in 1492 and died at the age of 62 in 1554.

Important note: We try our best in order to depict the art products as precisely as possible and to illustrate them visually on the product detail pages. Nevertheless, the colors of the printing material, as well as the imprint can vary somehwat from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments will be printed as realistically as the digital version. Bearing in mind that the art reproductions are processed and printed manually, there may also be slight differences in the motif's size and exact position.

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