Rosa Bonheur, 1879 - Weaning the Calves - fine art print
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This more than 140 years old artpiece was painted by Rosa Bonheur. The painting measures the size: 25 5/8 x 32 in (65,1 x 81,3 cm) and was painted with the technique of oil on canvas. It forms part of the The Metropolitan Museum of Art's art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are glad to state that the public domain piece of art is being supplied with courtesy of The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887. The creditline of the artwork is: Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887. Moreover, alignment is in landscape format and has an aspect ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter, sculptor Rosa Bonheur was a European artist from France, whose artistic style can be classified as Realism. The French painter was born in 1822 in Bordeaux, Nouvelle-Aquitaine, France and deceased at the age of 77 in the year 1899 in Thomery, Ile-de-France, France.
Available material options
In the product dropdown menu you can choose your favorite size and material. In order match your personal requirements perfectly, you can choose among the following product customization options:
- Printed poster (canvas material): The poster print is a printed flat canvas with a slight texture on the surface, which resembles the original version of the work of art. It is optimally appropriate for framing the fine art print using a special frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the painting in order to facilitate the framing with your custom frame.
- Canvas: A canvas print, which should not be mistaken with an artwork painted on a canvas, is an image printed from a UV direct printing machine. Your canvas of this artpiece will allow you to transform your fine art print into a large size artwork like you know from galleries. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suitable for all kinds of walls.
- Aluminium dibond print: Aluminium Dibond prints are prints on metal with an impressive depth, which creates a contemporary impression by having a surface , which is non-reflective. The print on aluminium is the most popular entry-level product and is a contemporary way to display fine art reproductions, because it puts all of the viewer’s focus on the image.
- Printed acrylic glass: The acrylic glass print, often labelled as a plexiglass print, makes the original work of art into magnificient home décor. Additionally, the acrylic glass art print makes a good alternative to dibond and canvas fine art replicas. The great advantage of a plexiglass print is that sharp contrasts and also granular image details will be visible due to the delicate tonal gradation of the picture. Our real glass coating protects your custom art replica against light and heat for many decades.
Legal disclaimer: We try in order to depict the products as clearly as we can and to display them visually in our shop. Still, the tone of the printed materials and the printing may differ somehwat from the representation on the device's screen. Depending on the settings of your screen and the condition of the surface, not all color pigments can be printed as realisitcally as the digital version on this website. Because all the art prints are printed and processed by hand, there may as well be minor deviations in the motif's size and exact position.
Structured article details
|Article classification:||art print|
|Manufacturing process:||UV direct printing|
|Production:||produced in Germany|
|Type of stock:||on demand|
|Intended product use:||home design, art print gallery|
|Alignment of the artwork:||landscape alignment|
|Side ratio:||1.2 : 1 - (length : width)|
|Image aspect ratio implication:||the length is 20% longer than the width|
|Available variants:||poster print (canvas paper), acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond)|
|Canvas print (canvas on stretcher frame) options:||60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"|
|Acrylic glass print (with real glass coating):||60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"|
|Poster print (canvas paper) size variants:||60x50cm - 24x20", 120x100cm - 47x39"|
|Aluminium print size variants:||60x50cm - 24x20", 120x100cm - 47x39"|
|Frame:||unframed art copy|
Background data on the unique work of art
|Title of the artpiece:||"Weaning the Calves"|
|General term:||modern art|
|Year of creation:||1879|
|Age of artwork:||more than 140 years old|
|Original medium:||oil on canvas|
|Original size (artwork):||25 5/8 x 32 in (65,1 x 81,3 cm)|
|Museum / location:||The Metropolitan Museum of Art|
|Museum location:||New York City, New York, United States of America|
|Museum's web page:||www.metmuseum.org|
|License of artwork:||public domain|
|Courtesy of:||The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887|
|Creditline of artwork:||Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887|
About the painter
|Also known as:||bonheur r., M^Telle^R Rosa Bonheur, בונר רוזה, Bonheur Marie Rosalie, Bonheur Marie- Rosa, Bonheur, Bonheur Rosalie, Bonheur Marie Rosa, Bonheur Marie-Rosalie, Rosa Bohneur, Bonheur Rosa, Rosa Bonheur, R. Bonheur, Bonheur Rosa|
|Nationality of artist:||French|
|Artist classification:||modern artist|
|Year of birth:||1822|
|Born in (place):||Bordeaux, Nouvelle-Aquitaine, France|
|Year of death:||1899|
|Town of death:||Thomery, Ile-de-France, France|
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Original artwork information from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)
The scene is probably located on one of the high pasturelands of the Pyrenees. Rosa Bonheur took a trip there in 1850 and brought back many studies that she used throughout her career.