Sir Joshua Reynolds, 1761 - The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair - fine art print
Tax included. Shipping calculated at checkout.
The art product offering
This classic art painting called "The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair" was created by the painter Sir Joshua Reynolds in 1761. The 250 year-old artpiece was made with the size of 100 1/4 x 142 in (254,6 x 360,7 cm) and was painted on the medium oil on canvas. Nowadays, this piece of art forms part of the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Gift of Junius S. Morgan, 1887 (public domain). The creditline of the artwork is the following: Gift of Junius S. Morgan, 1887. On top of that, alignment is landscape and has a side ratio of 1.4 : 1, meaning that the length is 40% longer than the width. Sir Joshua Reynolds was a male painter, whose style can primarily be assigned to Rococo. The European painter lived for a total of 69 years and was born in 1723 and deceased in 1792.
Available material choices
In the dropdown selection right next to the product you can choose the material and sizeaccording to your preferences. We allow yout to choose among the following variants:
- Poster print (canvas material): A poster print is a UV printed flat cotton canvas with a granular finish on the surface. The printed poster is designed for framing the art copy with a custom frame. Please note, that depending on the size of the poster we add a white margin 2 - 6cm round about the print, which facilitates the framing with your custom frame.
- Aluminium dibond print (metal): This is a metal print manufactured on aluminium dibond with an outstanding effect of depth. The Direct Print on Aluminum Dibond is your perfect introduction to art reproductions on aluminum. For our Aluminium Dibond option, we print your artpiece on the aluminium composite surface. This direct print on Aluminum Dibond is one of the most demanded entry-level products and is a truly stylish way to showcase art reproductions, as it draws attention on the image.
- Canvas: A canvas print, not to be confused with an artwork painted on a canvas, is a digital replica applied on a canvas material. Your canvas of this artpiece will allow you to transform your individual art print into a large size artpiece like you know from art galleries. Canvas Prints have the advantage of being low in weight, which means that it is quite simple to hang up your Canvas print without the use of extra wall-mounts. A canvas print is suitable for all types of walls.
- Print on acrylic glass: An acrylic glass print, often denoted as a fine art print on plexiglass, changes your favorite artwork into gorgeous décor and forms a great alternative to canvas or dibond fine art prints. The artwork is manufactured with the help of modern UV direct print technology. The major upside of a plexiglass art print is that sharp contrasts and smaller image details will be recognizeable thanks to the subtle gradation. Our real glass coating protects your selected fine art print against sunlight and heat for many more years to come.
Disclaimer: We try everything to describe our art products with as many details as possible and to demonstrate them visually on the respective product detail pages. Still, the colors of the print products and the imprint can diverge to a certain extent from the image on the screen. Depending on the screen settings and the nature of the surface, color pigments may not be printed 100% realistically. Given that all our are processed and printed manually, there may also be minor deviations in the motif's exact position and the size.
About the article
|Article type:||fine art reproduction|
|Production technique:||UV print / digital printing|
|Stock type:||on demand|
|Product usage:||wall décor, wall picture|
|Aspect ratio:||1.4 : 1|
|Aspect ratio implication:||the length is 40% longer than the width|
|Available material options:||metal print (aluminium dibond), poster print (canvas paper), canvas print, acrylic glass print (with real glass coating)|
|Canvas print (canvas on stretcher frame) variants:||70x50cm - 28x20", 140x100cm - 55x39"|
|Acrylic glass print (with real glass coating) variants:||70x50cm - 28x20", 140x100cm - 55x39"|
|Poster print (canvas paper) size variants:||70x50cm - 28x20"|
|Aluminium print (aluminium dibond material) sizes:||70x50cm - 28x20", 140x100cm - 55x39"|
Structured artwork information
|Title of the artwork:||"The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair"|
|Umbrella term:||classic art|
|Temporal classification:||18th century|
|Approximate age of artwork:||more than 250 years|
|Medium of original artwork:||oil on canvas|
|Size of the original artwork:||100 1/4 x 142 in (254,6 x 360,7 cm)|
|Museum / collection:||The Metropolitan Museum of Art|
|Place of the museum:||New York City, New York, United States of America|
|Website:||The Metropolitan Museum of Art|
|Artwork license type:||public domain|
|Courtesy of:||The Metropolitan Museum of Art, New York, Gift of Junius S. Morgan, 1887|
|Creditline:||Gift of Junius S. Morgan, 1887|
About the painter
|Artist:||Sir Joshua Reynolds|
|Nationality of artist:||British|
|Country of origin:||the United Kingdom|
|Artist classification:||old master|
|Age at death:||69 years|
|Died in the year:||1792|
This text is protected by copyright © , Artprinta (www.artprinta.com)
Original artwork description as provided by the museum (© - by The Metropolitan Museum of Art - www.metmuseum.org)
Seated at the center with his greyhound is the Honorable Henry Fane, second son of the eighth earl of Westmorland. To the left is Inigo Jones, a relative of the celebrated architect, and to the right Charles Blair, Fane's brother-in-law. Although shown in a landscape, each of the three men would have sat for Reynolds separately, in his studio. Reynolds's largest and most impressive conversation piece, this canvas was begun in 1761 and completed in 1766.