Sir Joshua Reynolds, 1761 - The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair - fine art print

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The art product offering

This classic art painting called "The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair" was created by the painter Sir Joshua Reynolds in 1761. The 250 year-old artpiece was made with the size of 100 1/4 x 142 in (254,6 x 360,7 cm) and was painted on the medium oil on canvas. Nowadays, this piece of art forms part of the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Gift of Junius S. Morgan, 1887 (public domain). The creditline of the artwork is the following: Gift of Junius S. Morgan, 1887. On top of that, alignment is landscape and has a side ratio of 1.4 : 1, meaning that the length is 40% longer than the width. Sir Joshua Reynolds was a male painter, whose style can primarily be assigned to Rococo. The European painter lived for a total of 69 years and was born in 1723 and deceased in 1792.

Available material choices

In the dropdown selection right next to the product you can choose the material and sizeaccording to your preferences. We allow yout to choose among the following variants:

  • Poster print (canvas material): A poster print is a UV printed flat cotton canvas with a granular finish on the surface. The printed poster is designed for framing the art copy with a custom frame. Please note, that depending on the size of the poster we add a white margin 2 - 6cm round about the print, which facilitates the framing with your custom frame.
  • Aluminium dibond print (metal): This is a metal print manufactured on aluminium dibond with an outstanding effect of depth. The Direct Print on Aluminum Dibond is your perfect introduction to art reproductions on aluminum. For our Aluminium Dibond option, we print your artpiece on the aluminium composite surface. This direct print on Aluminum Dibond is one of the most demanded entry-level products and is a truly stylish way to showcase art reproductions, as it draws attention on the image.
  • Canvas: A canvas print, not to be confused with an artwork painted on a canvas, is a digital replica applied on a canvas material. Your canvas of this artpiece will allow you to transform your individual art print into a large size artpiece like you know from art galleries. Canvas Prints have the advantage of being low in weight, which means that it is quite simple to hang up your Canvas print without the use of extra wall-mounts. A canvas print is suitable for all types of walls.
  • Print on acrylic glass: An acrylic glass print, often denoted as a fine art print on plexiglass, changes your favorite artwork into gorgeous décor and forms a great alternative to canvas or dibond fine art prints. The artwork is manufactured with the help of modern UV direct print technology. The major upside of a plexiglass art print is that sharp contrasts and smaller image details will be recognizeable thanks to the subtle gradation. Our real glass coating protects your selected fine art print against sunlight and heat for many more years to come.

Disclaimer: We try everything to describe our art products with as many details as possible and to demonstrate them visually on the respective product detail pages. Still, the colors of the print products and the imprint can diverge to a certain extent from the image on the screen. Depending on the screen settings and the nature of the surface, color pigments may not be printed 100% realistically. Given that all our are processed and printed manually, there may also be minor deviations in the motif's exact position and the size.

About the article

Article type: fine art reproduction
Reproduction: digital reproduction
Production technique: UV print / digital printing
Product Origin: German-made
Stock type: on demand
Product usage: wall décor, wall picture
Alignment: landscape alignment
Aspect ratio: 1.4 : 1
Aspect ratio implication: the length is 40% longer than the width
Available material options: metal print (aluminium dibond), poster print (canvas paper), canvas print, acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) variants: 70x50cm - 28x20", 140x100cm - 55x39"
Acrylic glass print (with real glass coating) variants: 70x50cm - 28x20", 140x100cm - 55x39"
Poster print (canvas paper) size variants: 70x50cm - 28x20"
Aluminium print (aluminium dibond material) sizes: 70x50cm - 28x20", 140x100cm - 55x39"
Frame: unframed reproduction

Structured artwork information

Title of the artwork: "The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair"
Classification: painting
Umbrella term: classic art
Temporal classification: 18th century
Artpiece year: 1761
Approximate age of artwork: more than 250 years
Medium of original artwork: oil on canvas
Size of the original artwork: 100 1/4 x 142 in (254,6 x 360,7 cm)
Museum / collection: The Metropolitan Museum of Art
Place of the museum: New York City, New York, United States of America
Website: The Metropolitan Museum of Art
Artwork license type: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Gift of Junius S. Morgan, 1887
Creditline: Gift of Junius S. Morgan, 1887

About the painter

Artist: Sir Joshua Reynolds
Artist gender: male
Nationality of artist: British
Professions: painter
Country of origin: the United Kingdom
Artist classification: old master
Art styles: Rococo
Age at death: 69 years
Born: 1723
Died in the year: 1792

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Original artwork description as provided by the museum (© - by The Metropolitan Museum of Art -

Seated at the center with his greyhound is the Honorable Henry Fane, second son of the eighth earl of Westmorland. To the left is Inigo Jones, a relative of the celebrated architect, and to the right Charles Blair, Fane's brother-in-law. Although shown in a landscape, each of the three men would have sat for Reynolds separately, in his studio. Reynolds's largest and most impressive conversation piece, this canvas was begun in 1761 and completed in 1766.

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